Atomos Shogun 7 HDR Pro/Cinema Monitor
5.950 lei
Mindblowing HDR monitoring with Apple ProRes and ProRes RAW recording and playback
Designed for professionals that push boundaries with the quality of their videos, this 7-inch screen elevates the image captured by any HDMI or SDI camera to new levels. With 1,000,000:1 contrast ratio and peak brightness of 3000nits, Shogun 7 is the ultimate all-in-one video production tool for creative storytelling.
The Atomos Shogun 7 embraces the high production values of RAW and 4K HDR to give you complete control of every aspect of your production, on-set and in post. Meticulously monitor every pixel of SDR or HDR as it’s captured. Record up to 5.7K Apple ProRes RAW* or 4K Apple ProRes directly to affordable SSD drives avoiding the high costs and limitations of SD memory cards. You can even shoot RAW at high frame rates up to HDp240**.
Add to this asynchronous, multicamera switching and the ability to record in a range of other codecs, and you have more power to achieve your creative vision than ever before.
*Panasonic EVA1
**Sony FS Series and EVA1
Multicamera touchscreen switching – Live mix & record up to 5 streams
Take full advantage of 4 x SDI inputs and let Shogun 7 step into the role of a portable, quadview live switcher and recorder on your multicamera shoots. Record up to four 1080p60 streams simultaneously as separate ISOs and then cue and switch in real-time with a simple touch of the screen. Display the resulting mixed output (via HDMI or SDI) live on set. You can even output the switched feed for live streaming. Switching is completely asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras.
Perfect exposure and colour – Fine tune every detail while you shoot
A high-quality viewing experience gives you complete confidence to make educated on-set decisions.
With Shogun 7’s dynamic zoned backlight, blacks are deeper, whites are brighter, and the details of highlights are crystal clear. See what the camera sensor is capturing with unparalleled precision and use the advanced HDR waveform tools from log or RAW to ensure perfect exposure, colour and white balance. Shogun 7 gives you the control to maximise HDR exposure, while feeling comfortable with SDR finishing in post.
Simple monitoring tools put every detail of the image within your control. From custom 3D LUTs, false color profiles, adjustable focus peaking and movable 1:1 and 2:1 pixel magnification. In addition, RGB parade and vectorscopes ensure perfect colors on your calibrated monitor.
Shogun 7 gives a low budget feature film a cinematic edge
How do you make a full-length feature film, with flawless, cinematic values when your camera budget only stretches to cameras already owned by the crew? The team behind action comedy, School Fight, solved this by adding a Shogun 7 to their existing rigs.
The Shogun 7 is at home on practically any camera
With its ProRes RAW recording capabilities it works with powerhouses like the Canon C300 mkII, Panasonic EVA 1 and Sony FS5 II to create stunning images with maximum detail and latitude for post production. In addition it can transform older cameras like the Sony FS700R into cinematic RAW shooting machines with advanced features like 4Kp60 and 2Kp240 RAW capture.
Use with your DSLR or mirrorless camera via HDMI to get up to 4Kp60 Apple ProRes and AVID DNx codecs for easy editing and archival quality. Add it to a high-end ARRI, RED or Sony Venice and you’ll get accurate HDR monitoring and all the tools you need to get your job done.
Amplify the creative advantages of shooting RAW
Shogun 7 takes RAW data directly from the camera’s sensor and preserves the unprocessed image. This gives you more freedom to adjust and finesse every aspect of your video in post-production finishing.
Applying ProRes compression technology to RAW image data adds another edge to your creative workflow. ProRes RAW files are smaller than most proprietary RAW formats so you can import, edit and grade faster and more efficiently. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Avid Media Composer
Dolby Vision- Give on-set HDR monitoring to your client and creatives
View what you’re capturing through your audience’s eyes before filming has even wrapped. Use Shogun 7 to deliver content via a Dolby Vision live HDMI out, in real-time, from any HDR camera to a compatible Dolby Vision HDR TV or monitor. Shogun 7 ensures you see an accurate representation of your video in maximum brightness and color detail. Use this accurate reference to adjust exposure and lighting accurately for modern TVs. This not only gives the crew more confidence in what they’re capturing, but also speeds up the finishing process.
In Stock
Specs
Weight
Without batteries & media
• 709g / 25oz.
Dimensions (W x H x D mm)
• 214 x 127 45mm
Construction
• Polycarbonate ABS
Mounting points
• 1/4”-20 screw mount. 1x top and 1x bottom
Power
Operating power
• 10 – 33W
Compatible batteries
• Atomos NP-F series and supporting accessories
Input voltage (battery)
• 6.2V to 16.8V
Battery time (based on 2 x 7.4V)
• 5200mAh – up to 1.5hrs (monitor & record 4K 30p)
• 7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In
• 1 x DC in (6.2 – 16.8V)
Touchscreen
Size
• 7.2”
Resolution
• 1920 x 1280
PPI
• 325
Aspect ratio
• 16:9 native
Color Gamut
• Up to Wide color gamut (105% DCI-P3)
• Look up table (LUT) support
• 3D LUT (.cube format)
Anamorphic de-squeeze
• 2x, 1.5x, 1.33x
Technology
• Dynamic AtomHDR zoned backlight
• IPS LCD
Dynamic Atom HDR Technology
• Backlight
Direct LED
Zones
• 360 direct backlight individual LEDs
LEDs
• Wide Color Calibrated D65 or D95
Bit depth
• 10-bit (8+2 FRC)
Color
• DCI-P3 105%
Brightness
• 3000nits (+/- 10%)
Control
• On the fly real-time brightness analysis for LED control
HDR Conversion
• Log/RAW to HLG or PQ
HDR Monitoring Technology
• Gamma
• Sony SLog / SLog2 / SLog3 Canon CLog / CLog2 / Clog3 ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600 Panasonic Vlog JVC JLog1 RED Log3G10 / RED LogFilm FujiFilm F-log Nikon N-Log PQ10k HLG
Gamut
• Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / DCI P3 / DCI P3+ Nikon Bt2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 / BT.2020 JVC RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 /
Video Output (Play Out)
HDMI
• 1 x HDMI (2.0)
SDI
• 2x 4K-SDI 12G or HD-SDI 3G/6G
Signal
• Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Audio In/Out (48kHz PCM Audio)
HDMI
• 2 or 8ch 24-bit, camera dependent
SDI
• 12ch 48kHz 24-bit
Audio
• 2ch balanced XLR analogue in/out
• Dynamic range >90dB
• Max signal level +24dBu
• Max analogue gain +52dB
• 48V Phantom Power for Mic
Headphone out
• 3.5mm 2ch.
Supported Codecs & Frame Rates (Record & Playback)
Ram to:
• ProRes RAW
• ProRes
• CinemaDNG
• (CDNG up to 30p only)
• Avid DNxHD
Sony^^
• FS700, FS-5, FS-7, FS-7MkII
• 4K DCI; 24/25/30/50/60p
• 4K UHD; not supported in camera
• 2K; 24/25/30/50/60/100/120/200/240p
• 1080; not supported in camera
Canon
• C300MKII/C500 CDNG
• 4K DCI; 24/25/30p
• 4K UHD; 24/25/30p
• 2K; not supported in camera
• 1080; not supported in camera
Panasonic
• VaricamLT, EVA1
• 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only)
• 4K DCI; 24/25/30/50/60p
• 4K UHD; 24/25/30/50/60p
• 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera
Supported base resolution & FPS from cameras
• 4K DCI: 23.98/29.9/59.94p
• 4K UHD: 23.98/29.9/59.94p
• 2K DCI: 23.98/29.9/59.94p
• 1080p: 23.98/29.9/59.94p
• Supported FPS & resolution from gaming consoles and graphic cards
• 1080p; 24/25/30/50/60/100/120
Onboard Processing
Pulldown removal
• 24/25/30pSF > 24/25/30p (2:2 pulldown)
• 60i > 24p (3:2 pulldown)
• 4K UHD downscale for HD monitoring
• Yes – Loop-out and playback (Not available in RAW)
Remote Start/Stop
• HDMI
• Auto HDMI Trigger
Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard
SDI
• SDI trigger camera selectable
Other
• LANC control – Slave
Playback
• Playlist / Genlock / LTC
• Yes / Yes / Yes
• CDNG (Recorded content)
• No support
ProRes (Recorded content)
• All recorded files can playback. Playback in slow motion >= 100fps.
DNxHR / DNxHD (recorded content)
• All recorded files can playback. Playback in slow motion >= 100fps.
Recording
Pre-roll record
• Yes (HD 8s, 4K 2s)
Custom timelapse
• Yes*
Supported media
• 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case
• Master Caddy II (included)
• 75mm x 105mm x 12mm
Master caddy dock
• 2.5” SATA to USB 2.0/3.0
Supported applications
• Final Cut Pro / Media Composer / Premiere Pro / After Effects / EDIUS / Vegas Pro / Lightworks / Autodesk Smoke
Monitoring Features
• Luma Waveform, RGB parade, RGB Overlay, Vectorscope, Vectorscope Zoom, Histogram, RGB Histogram, Anlaysis mode (Multiview scopes: Waveform, Histogram, Vectorscope), Focus Peaking, Zebra, False Color, Blue Only Exposure, Zoom (1:1, 2:1, 4:1), SMPTE Safe Areas, Cinema Guides, Anamorphic Desqueeze.
In the box
• 1x Shogun 7 unit
• 1x Master Caddy II x1
• 1x 12V-3A AC power supply
• 1x Carry Case Quick Start guide