Atomos Shogun Studio II
The Shogun Studio II Rackmount 4K Dual Recorder & Monitor from Atomos features two 7″ monitors with a high brightness of 3000 cd/m². It allows continuous 4K60 recording and monitoring on both channels, and it supports four 1080p60 SDI ISO recordings in a multicamera setup. The 3RU rackmount solution offers SDI and HDMI input/output with signal conversion, stereo XLR input/output per channel with 48V phantom power, and compatibility with ProRes RAW, ProRes, DNxHR, and Adobe CDNG codecs.
The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.
Specs
Display
- Touchscreen: SuperAtom IPS panel (capacitive touch)
- Size: Dual 7.2”
- Resolution: Dual 1920 x 1200
- PPI: 327 per screen
- Bit depth: 10-Bit (8+2 FRC)
- Backlight Type: Dynamic zoned back light 3″, Dynamic Full Array Local Dimming (FALD) 360 Zones
- Brightness (cdm2 / nits): 1500 / 3000 Peak HDR brightness
- Aspect ratio: 16 : 9
- Color Gamut: Rec.709
- Calibration support: Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
- Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
- Gamut: Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
- 3D LUT Display: .Cube Format Display Only
- 3D LUT Output: Loop out
- 3DLUT 50/50: Yes
- Monitoring Modes: Native / HLG / PQ / 3D LUT
- HDR output Conversion: Log / HDR to HLG / PQ / Dolby Vision
Video Input
- HDMI: 1 x HDMI (2.0) 4k p60
- SDI: Quad link 3G SDI, with 2 x 12G SDI Backwards compatible Auto detection per recorder channel
- SDI RAW: Apples ProRes RAW up to 6k
- RJ45 / Network: Service Only
- Bit Depth: 8/10-Bit Video / RAW up to 16-Bit
- Video Chroma Subsampling: 4:02:02
- HDCP copy protection: No supported
Metadata
- HDMI: RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
- SDI: File Name from Arri, RED
Video Output
- HDMI: 1 x HDMI (2.0) 4k p60
SDI loop out: 1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out: 2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable - Video Chroma Subsampling: 422
- Bit Depth: 10-Bit Video
Web Streaming
- USB UVC: Optional via Connect 4k
Video Signal Conversion
- HDMI to SDI: Yes – Video and RAW
- SDI to HDMI: Yes – Video and RAW
Audio In/Out
- Audio Quality: 24/48kHz
- Audio Codec: PCM
- HDMI: 8ch 24-Bit, input dependent
- SDI: 12ch 24-Bit, input dependent
- Analogue Audio in: 2 x XLR Per recorder channel
- Analogue Audio Out: 2 x XLR Per recorder channel
- Headphone out: 3.5mm 2ch.
Timecode / Sync
- Embedded HDMI and SDI
- Time of day: Yes, Time and Date
- LTC: LTC via BNC in/out Record mode
- Genlock: GenLock in/out Playback mode
Resolution and Frame Rates (Record, Monitor & Playback)
- 6k: RAW Only up to 30p via SDI Only
- 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
- 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
- 2K DCI 2046 x 1080: 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
- FHD 1920 x 1080 Progressive: 23.98/24/25/29.9/30/50/59.94/60/100/120p
- FHD 1920 x 1080 PsF: Converted to P and looped out PsF
- FHD 1920 x 1080 Interlaced: 23.98/24/25/29.9/30/50/59.94/60i
- 1280 x 720p: 50/59.94/60p
Recording CODEC
- CDNG: For SDI RAW inputs Only
- Apple ProRes RAW: ProRes RAW, HQ
- Apple ProRes: LT, 422, 422HQ
- Avid DNxHD: DNxHD 220x,220,145,36
- Avid DNxHR: LB, SQ, HQ, HQX.
Playback
- Playlist: Yes, Create customer play lists from full or sub clips
- Loop: Yes, with user customisable in / out markers
- Apple ProRes: Raw Yes, recorded clips
- Apple ProRes: Yes, with Linear PCM audio
- Avid DNx: Yes, with Linear PCM audio
Recording functions
- Pre-roll record: Yes (HD 8s, 4K 2s) – Not available in RAW
- ISO Record: Up to 8 x up to 1080p 60 (3G SDI Level A ONLY) 4 Per recorder channel
- Switched Program Record: Yes Up to 1080p 60
Multi Input / Switching
- SDI A/B toggle: Yes, Up support up to 12G SDI per input
- Dual Input display: Via Multi ISO input mode
- Multiple SDI input: Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
- Input transitions: Auto or manual XML transition
Supported media
- Master Caddy I: Not compatible
- SSDmini: Yes, BUT ONLY with optional Grab handle
- File Naming: Unit Name – Scene/Shot/Take, Arri & RED via SDI
- File System: ExFAT
On screen tools
- Waveform: Yes, 3 size / Position
- RGB parade: Yes, 3 size / Position
- Vector scope: Yes, 2 size / Position
- 1 x Zoom: Yes. 1:1 Pixel mapping for 4k
- 2 x Zoom: Yes
- Focus peaking: Colour selected / threshold setting / colour / mono / edges only
- False colour: Yes, with Scale
- Zebra: Yes, Adjustable
- Isolate color channel: Blue Only
- Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
- Social Frame guides: 9:16, 1:1, 191:1, 4:5
- Safe areas: Action and Graphic
- Grid markers: 9 grid
- Anamorphic desqueeze: 1.25x 1.33x , 1.5x ,1.8x ,2x
- Display Flip: Vertical Only
Onboard Signal Processing
- Pulldown Removal: 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
- 4K UHD Downscale for HD: Loop out – 4K UHD to FHD
- DCI Crop: Loop out – 17:9 to 16:9 Crop
Remote control
- HDMI: Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
- SDI: SDI trigger camera selectable
- Serial 2.5mm Jack: LANC control and calibration via optional USB to serial cable
- RJ45: Service Only
- RS422: Yes, Qualified controllers only
Supported Applications
- XML: Cut tag EDL and Multcam with transitions in FCPX XML
- Apple ProRes RAW: Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
- Video Codecs: All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
Physical Specifications
- Dimensions (W x H x D mm): 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears), 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)
- Weight: 5.0kg / 11lb
- Rack height: 3U
- Mount points: Removable rack ears and desktop feet
- Dual recorder: Dual Screen, Recorder and switcher
Environmental
- Ambient operating temperature: Up to 40°C
Construction and Control
- Body: Aluminium alloy chassis
- Cooling: Actively controlled fans and Heat Sink
- Tally light: On front
- Multi-function button: Trigger dual record
Power
- Continuous power: Dual PSU
- DC in connector: Dual IEC C14
In the box
- Shogun Studio 2
- 2 x rack ears with screws
- 4 x rubber feet with screws
- 2 x IEC power cable
- 2 x HDMI cable
- 5 x Master caddy II
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