Atomos NEON 17″ 4K HDR Monitor/Recorder
14.990 lei
Digital filmmaking re-imagined for today´s creator
The Atomos Neon series is the beginning of a new journey for filmmakers by bringing together traditional filmmaking roles and pairing it with Atomos innovation and technology. We do this by combining recording with cinema display technology for monitoring, on-screen production checking and review of creative intent, story flow and matching continuity between scenes. Neon streamlines the creative workflow from lens to viewing. We have adopted industry standard formats like ProRes from major camera makers enabling the performance of ProRes into cinema productions and built for computer finishing. The upshot is an on-set computer replacement merged with an ecosystem of field monitors that saves the creator time by allowing them to make more decisions in the moment of recording, playback, monitoring and editing.
Certainty of image fort he entire crew
Neon is a series of precision on-set and in-studio 4K HDR monitor-recorder production workhorses where reliable and trustworthy monitoring is essential. The Neon comes in four sizes (17”, 24”, 31” and 55”) that can be synced together to provide an ecosystem of field monitors where accuracy of image representation and consistency of image is critical between crew members…all controlled by the Atomos App. The Neons’ best-in-class 512 zoned dynamic backlight displays provide a calibrated 4KDCI 180-degree perfect viewing, 10-bit DCI-P3 100% color coverage, and 1,000,000:1 HDR-ready contrast for cinematographers to maintain exposure and creative look. Directors can make more creative on-set decisions, viewing perfect images in TV and Cinema standards at all times. Camera assistants and focus pullers can trust the ultra-sharpness of an actor’s eyes. Editors and color graders can lock down the director’s creative intent from shot to shot, frame by frame and review it across varying displays from SDR to HDR – accurately in real-time. With the built-in 4Kp60/HDp240 Apple ProRes recorder capturing each take, With Neon, Atomos has reimagined the role of the reference monitor to meet the HDR challenges of modern TV and film production.
Four sizes for flexibility in any production
The Neon comes in 17”, 24”, 31” and 55” screen sizes, and complements other Atomos products such as the Shinobi SDI, Ninja V, Shogun 7 and Sumo 19 to provide a flexible ecosystem of field reference monitors. Neon allows you the flexibility of utilizing your Atomos on low budget productions with HDMI 10-bit uncompressed video cameras, right up to 12G-SDI 12-Bit, 4Kp60 RAW from the best cinema cameras in the world.
Atomos App control for simple operation
Neon deliberately does away with touchscreen operation and is Bluetooth controlled by the Atomos iOS App. Neon has the simple-to-use AtomOS built into it so that you can use the App to access real-time production tools including focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vector scope and LUT selection.
Neon shortens the gap between capture and final edit with real-time recording and playback of your captured shots at up to 4Kp60 in formats including ProRes, Avid DNx. When you’ve got the take you like, tag it on-set with the App for easy identification during editing. The App unlocks the ability to insert project specific meta-data frame-by-frame, allowing project management of a complex production to be simplified and automated so that the creator can focus on their artistic storytelling enhancements.
Sync all your Neons together
If you have more than one Neon in your production, you can perfectly sync them asynchronously together using the Atomos iOS App. Simply pair the Neons through the App and select all the monitors you wish to sync. You can also sync the Neons to any Atomos Ninja V using an AtomX Sync Module attached. This means that recording control has never been easier for any production with a multicamera setup. Meta-data is captured for the entire production in every file recorded, avoiding the need for a sidecar file. At the end of filming, take each Neon’s SSD with the captured footage and meta-data, and import into your editing suite ready to go.
Precision HD field monitor fort he onset digital darkroom
Atomos brings dynamic zone backlight technology to the entire range of Neons powered by our proprietary Dynamic AtomHDR innovations. This yields a contrast ratio from one to a million gradations on discreet parts of the image on Neon’s daylight viewable anti-reflection display. With the Neon series, blacks and colors are rich and deep. Images appear to ‘pop’ with added dimensionality and detail. The precision Atomos display uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs. Objects appear more lifelike than ever, with complex textures and gradations beautifully revealed. In short, the Neons offer the most detailed window into your image, truly changing the way you create visually
Capture 4K or 8K now, future-proofed for later
Capture technology moves fast, so your investment shouldn’t be locked into older formats and functionality. We’ve future-proofed Neon by designing it with the Master Control Unit, a replaceable brain that allows for upgradability as newer functionality and technology becomes mainstream.
The Master Control Unit comes in two sizes, one for 4K capture and another for 8K.
Expand Neon with AtomX Expansion Modules
The Master Control Unit is also compatible with the AtomX expansion modules that provide SDI and NDI connectivity on top of the standard HDMI connectivity that comes with NEON. This provides total flexibility when it comes to the production environment you are operating in.
Built for the toughest productions
The Neon can withstand the most extreme production conditions with its durable aluminium chassis and polycarbonate back plate affording protection from rough handling.
Mount anywhere
Whatever way you like to view your images, the Neon comes with flexible mounting options for any production including Arri standard edge mounting points, VESA mount and feet for floor or desk viewing. The Neon 17 and Neon 24 are also designed to be rack ready and will fit seamlessly into any rack environment.
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Specs
Physical Specification
• Weight (monitor only): 4,5kg
• Dimensions (Control Unit): 413 x 253 x 71,4mm
• Mount Points: Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom. 100 x 100 VESA Mount
• Feet: 2 x Feet with 1/4″ 20 with anti rotation pins
• Security leash point: Kensington lock on rear and lock down point on feet
• Rack Mount: Via 3rd party shelld with Vesa mount
Construction
• Body: Aluminium alloy chassis with ABS back plate
• Cooling: Active
• Tally light: Rear
• Function Button: Power button to lock screen and pair remote control devices
Power
• Operating Power: 19V / 180Watts
• DC in: Multi pin input on rear
Display
• Touchscreen: no
• Size: 16.5″
• Resolution: FHD 1920×1080 – 16:9
• Viewing Angle: 180 degrees Horizontal & Vertical (+/-10%)
• PPI: 142
• Bit Depth: 10-bit (8+2 FRC)
• Backlight: Dynamic Full Array Local Dimming (FALD) 128 Zones
• Brightness: 1000nits Full Screen brightness (+/-10%)
• Black Level: 0 nits
• LED: Wide Color Calibrated D65
• Contrast Ratio: Dynamic 1,000,000 : 1
• Aspect Ratio: 16:9
• Color Gamut: DCI P3
Technology
• AtomHDR Technology: Yes
• 3D LUT Support: Display only
• HDR Monitoring Technology: HLG, PQ, Camera LOG
• HDR Output Conversion: Log/HDR to HLG/ PQ
• Gamma: Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog:JVC JLog1, / Log3G12, RED Log3G10 / RED LogFilm, FujiFilm F-log, Nikon N-Log
• PQ (HDR10), HLG
• Gamut: Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema / DCI P3 / DCI P3+
Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, Bt2020, DCI P3, DCI p3 65
JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
Module System
• Master Control Unit (MCU): Yes
• AtomXpansion Slot: Yes, Support for SDI and future modules
Video Input
• HDMI: 1 x HDMI (2.0) 4k p60
• SDI: 2 x 12G SDI via included AtomX SDI module
• Signal (camera dependent): Uncompressed true 10-bit or 8-bit 422
• LTC (Record Mode Only): Wireless RF SYNC – Future FW Release
• Video Preview Monitoring – HDR: For accurate full 10bit baseband video monitoring a 3rd party PCIe or Thunderbolt video I/O device with HDMI or SDI is required
Video Output
• HDMI: 1 x HDMI (2.0)
• SDI: 1 x 12G SDI on Loop out from SDI, 2 x 12G SDI on playback via included AtomX • • SDI module
• Signal: Uncompressed true 10-bit or 8-bit 422 (playback file dependent)
Audio In/Out
• Audio Quality: 24/48kHz
• Audio Codec: Linear PCM
• HDMI: 8ch 24-bit, input dependent
• SDI: 12ch 24-bit, input dependent
• Analogue Audio in: 3.5mm 2ch.
• Headphone out: 3.5mm 2ch.
• Audio Out: Selected embedded stereo pair via 3.5mm headphone jack
Supported Codecs & Frame Rates (Record & Playback)
Supported resolution & FPS:
• 4k DCI: 23.98/24/25/29.9/30/50/59.94/60p
• 4k UHD: 23.98/24/25/29.9/30/50/59.94/60p
• 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p via SDI only
• 1080i: – 50/59.94i
• 720p: 50/59.94/60p
• CDNG: –
• Apple ProRes Raw: –
• Apple ProRes: LT, 422, HQ
• Avid DNx: DNxHR HQX. HQ, SQ, LB, DNxHD 220x, 220, 145, 36
Playback
• Loop: Yes – full video file only
• Apple ProRes: Yes – Recorded on Device or Exported from NLE (in .MOV with inear PCM audio)
• Avid DNx: Yes – Recorded on Device or Exported from NLE (in .MOV with inear PCM audio)
Recording functions & Media
• Pre-roll record: Yes (HD 8s, 4K 2s)
• Supported media: 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/ drives for list of tested and approved drives
• Media support: Master Caddy II / SSDmini
• File Naming: Scene / Shot / Take , RED / Arri Via SDI
• Supported Editing applications: All application supporting Apple ProRes / Avid DNx in .MOV wrapper
On Screen Tools
• Waveform: Yes
• RGB Parade: Yes
• Vector Scope: Yes
• 1 x Zoom: Yes
• 2 x Zoom: Yes
• Focus Peaking: Color selected / color / Mono / edges only
• False Color: Yes
• Zebra: Yes
• Isolate Color Channel: Blue Only
• Cine Frame Guides: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
• Safe Areas: Yes
• Anamorphic Desqueeze: 1.33x , 1.5x ,2x
Timecode
• HDMI: Yes
• SDI: Yes
• Time Of Day: Yes
• Wireless RF: Future FW Release
Onboard Processing
• Pulldown removal: 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
• Deinterlace mode: Yes
• 4K UHD downscale for HD on output: Yes
• DCI crop on output: Yes
Remote control
• HDMI: Auto HDMI Trigger; Supported Protocols – Canon, Sony, Atomos Open Standard
• SDI: SDI trigger camera selectable
• LANC 2.5mm Jack: LANC control – Calibration on MCU
• LE Bluetooth: Apple iOS 12 and above
In the box
Atomos NEON 17″ 4K HDR Monitor/Recorder
Master Control Unit
Master Caddy II
AC Power Supply
AtomX SDI Expansion Module
2 x Support Feet (Including Mounting Screws)